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Unless expressly stated otherwise, the organization that has made this Item available makes no warranties about the Item and cannot guarantee the accuracy of this Rights Statement. You are responsible for your own use.&#13;
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Unless expressly stated otherwise, the organization that has made this Item available makes no warranties about the Item and cannot guarantee the accuracy of this Rights Statement. You are responsible for your own use.&#13;
You may find additional information about the copyright status of the Item on the website of the organization that has made the Item available.&#13;
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&#13;
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Unless expressly stated otherwise, the organization that has made this Item available makes no warranties about the Item and cannot guarantee the accuracy of this Rights Statement. You are responsible for your own use.&#13;
You may find additional information about the copyright status of the Item on the website of the organization that has made the Item available.&#13;
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&#13;
NOTICES&#13;
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You may find additional information about the copyright status of the Item on the website of the organization that has made the Item available.&#13;
You may need to obtain other permissions for your intended use. For example, other rights such as publicity, privacy or moral rights may limit how you may use the material.&#13;
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                  <text>The Andy Wootten Collection   Professional artist - his work in Winter Park was ubiquitous&#13;
&#13;
Andy Wootten was born on August 9, 1912, in Lafayette, Georgia.  His parents were Andrew J. and Lucy B. Wootten.  In 1920, the family moved to Chattanooga, Tennessee, where Andy attended public schools.&#13;
&#13;
In the late 1920's, when Wootten was about sixteen years old, Paramount Theaters, Inc. hired him to draw and paint "lobby posters."  Hand-painted lobby posters were "on-the-cutting-edge" advertising at this time and only found at the finer theaters.   Wootten painted for Paramount's three Chattanooga theaters:  the Tivoli, Rialto, and State, the Tivoli being the largest and finest.&#13;
&#13;
On their web page, the City of Chattanooga has photographs and a short history of the Tivoli Theater.  The following is taken from their web page.  "The Tivoli Theater opened on March 19, 1921 following two years of construction.  Construction cost was close to $1 million...a lavish sum for its day.  The Tivoli's interior reflects the Beaux Arts style popular for movie palaces of the 1920's.  &#13;
Its high-domed ceiling, grand lobby, crystal chandeliers and elegant foyer were designed to transport patrons to a world of richness and splendor.  Designed by the Chicago-based architectural firm of Rapp and Rapp, the Tivoli was built to accommodate both silent movies and live stage productions, making it state-of-the-art for its time.  More innovations followed.  In 1924 a $30,000 Wurlitzer organ was installed.  The Tivoli became one of the first public buildings in the country to be air conditioned.  In 1926, Paramount Studios bought the Tivoli, making it part of the Paramount-Publix Theater chain."&#13;
&#13;
Popular films of the period included: "The Jazz Singer" (1927), "Tarzan, the Ape Man" (1932, "Mutiny on the Bounty" (1935), "Snow White and the Seven Dwarfs" (1937), "Gone With the Wind" (1939), "Pinocchio" (1940), and "Fantasia" (1941).&#13;
&#13;
During World War II, (1942 - 1946), Wootten served in the U.S. Coast Guard, 7th Naval District, Miami, Fl.  His artistic and creative talents were used in Coast Guard publications, and in designing and building Coast Guard recruiting exhibits.  The January, 1944 and the February, 1945 issues of "U.S. Coast Guard Magazine" featured covers created by Wootten.&#13;
&#13;
After his tour of duty with the U.S. Coast Guard, Wootten came to Central Florida and returned to painting lobby posters for the "Beacham, Vogue, and Roxy" theaters in Orlando, and the "Baby Grand" and "Colony" theaters, in Winter Park.  In addition to his "theater art" he began expanding his work to include commercial sign painting and interior design work.&#13;
&#13;
In 1946 Wootten rented ($15.00 per month) the second floor of the building at Park and New England Avenues.  From this location he operated the Andy Wootten Studios, later purchasing property and relocating to Clay Street.  His clients included: R. C. Baker Men's Clothing, Kummer Lumber, Bumby Hardware, Winter Park Land Company, Barbizon Restaurant, Cottrell's 5 and 10 Cent Store, The Golden Cricket, Taylor's Drug Store, Baldwin Hardware, Greeneda Court, Imperial House, Baggett's, the Rune Stone and other Winter Park businesses.&#13;
&#13;
In the Orlando area his clients included: Crum's Fuel Oil, Heintzelman's Ford, L.A. Johnson Fuel Oil, Holloway Concrete, The Shoe Box, Tupperware, and several area banks.&#13;
&#13;
One of Wootten's fondest memories, and a tradition still enjoyed by Winter Parker's, was the creation of Christmas Card Lane.   Wootten remembers visiting Davis Island (Tampa area) where he saw a "Christmas Card lane".  He thought the concept would work in Winter Park and approached the Chamber of Commerce.   Paint and a few supplies were provided for the project.  A number of the local merchants became involved.  Wootten remembers cutting sheets of plywood into 4 X 4 foot squares, drawing Christmas scenes onto the plywood Christmas cards.  Volunteers would gather at a garage located behind the Barbizon Restaurant and paint the Christmas Cards.  The Christmas cards pictured reindeer, Santa Claus, Christmas bells, and other seasonal scenes.  Many Winter Park citizens assisted with the project but Edith Tadd Little, Newton Merrill, Jim Holloway, and Tom Ferris, particularly, gave a great deal of time and energy to the project. Brackets for the cards were designed and made by Gene Beeler.  City work crews hung the cards.&#13;
&#13;
Andy Wooten passed away July 29, 2012.</text>
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 and Archives Department his collection of photographs, sketches and other memorabilia from &#13;
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&#13;
*Photograph by Diana Zimmerman, former Winter Park Public Library Digital Imaging Specialist.</text>
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                  <text>The Andy Wootten Collection   Professional artist - his work in Winter Park was ubiquitous&#13;
&#13;
Andy Wootten was born on August 9, 1912, in Lafayette, Georgia.  His parents were Andrew J. and Lucy B. Wootten.  In 1920, the family moved to Chattanooga, Tennessee, where Andy attended public schools.&#13;
&#13;
In the late 1920's, when Wootten was about sixteen years old, Paramount Theaters, Inc. hired him to draw and paint "lobby posters."  Hand-painted lobby posters were "on-the-cutting-edge" advertising at this time and only found at the finer theaters.   Wootten painted for Paramount's three Chattanooga theaters:  the Tivoli, Rialto, and State, the Tivoli being the largest and finest.&#13;
&#13;
On their web page, the City of Chattanooga has photographs and a short history of the Tivoli Theater.  The following is taken from their web page.  "The Tivoli Theater opened on March 19, 1921 following two years of construction.  Construction cost was close to $1 million...a lavish sum for its day.  The Tivoli's interior reflects the Beaux Arts style popular for movie palaces of the 1920's.  &#13;
Its high-domed ceiling, grand lobby, crystal chandeliers and elegant foyer were designed to transport patrons to a world of richness and splendor.  Designed by the Chicago-based architectural firm of Rapp and Rapp, the Tivoli was built to accommodate both silent movies and live stage productions, making it state-of-the-art for its time.  More innovations followed.  In 1924 a $30,000 Wurlitzer organ was installed.  The Tivoli became one of the first public buildings in the country to be air conditioned.  In 1926, Paramount Studios bought the Tivoli, making it part of the Paramount-Publix Theater chain."&#13;
&#13;
Popular films of the period included: "The Jazz Singer" (1927), "Tarzan, the Ape Man" (1932, "Mutiny on the Bounty" (1935), "Snow White and the Seven Dwarfs" (1937), "Gone With the Wind" (1939), "Pinocchio" (1940), and "Fantasia" (1941).&#13;
&#13;
During World War II, (1942 - 1946), Wootten served in the U.S. Coast Guard, 7th Naval District, Miami, Fl.  His artistic and creative talents were used in Coast Guard publications, and in designing and building Coast Guard recruiting exhibits.  The January, 1944 and the February, 1945 issues of "U.S. Coast Guard Magazine" featured covers created by Wootten.&#13;
&#13;
After his tour of duty with the U.S. Coast Guard, Wootten came to Central Florida and returned to painting lobby posters for the "Beacham, Vogue, and Roxy" theaters in Orlando, and the "Baby Grand" and "Colony" theaters, in Winter Park.  In addition to his "theater art" he began expanding his work to include commercial sign painting and interior design work.&#13;
&#13;
In 1946 Wootten rented ($15.00 per month) the second floor of the building at Park and New England Avenues.  From this location he operated the Andy Wootten Studios, later purchasing property and relocating to Clay Street.  His clients included: R. C. Baker Men's Clothing, Kummer Lumber, Bumby Hardware, Winter Park Land Company, Barbizon Restaurant, Cottrell's 5 and 10 Cent Store, The Golden Cricket, Taylor's Drug Store, Baldwin Hardware, Greeneda Court, Imperial House, Baggett's, the Rune Stone and other Winter Park businesses.&#13;
&#13;
In the Orlando area his clients included: Crum's Fuel Oil, Heintzelman's Ford, L.A. Johnson Fuel Oil, Holloway Concrete, The Shoe Box, Tupperware, and several area banks.&#13;
&#13;
One of Wootten's fondest memories, and a tradition still enjoyed by Winter Parker's, was the creation of Christmas Card Lane.   Wootten remembers visiting Davis Island (Tampa area) where he saw a "Christmas Card lane".  He thought the concept would work in Winter Park and approached the Chamber of Commerce.   Paint and a few supplies were provided for the project.  A number of the local merchants became involved.  Wootten remembers cutting sheets of plywood into 4 X 4 foot squares, drawing Christmas scenes onto the plywood Christmas cards.  Volunteers would gather at a garage located behind the Barbizon Restaurant and paint the Christmas Cards.  The Christmas cards pictured reindeer, Santa Claus, Christmas bells, and other seasonal scenes.  Many Winter Park citizens assisted with the project but Edith Tadd Little, Newton Merrill, Jim Holloway, and Tom Ferris, particularly, gave a great deal of time and energy to the project. Brackets for the cards were designed and made by Gene Beeler.  City work crews hung the cards.&#13;
&#13;
Andy Wooten passed away July 29, 2012.</text>
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                  <text>The Andy Wootten Collection   Professional artist - his work in Winter Park was ubiquitous&#13;
&#13;
Andy Wootten was born on August 9, 1912, in Lafayette, Georgia.  His parents were Andrew J. and Lucy B. Wootten.  In 1920, the family moved to Chattanooga, Tennessee, where Andy attended public schools.&#13;
&#13;
In the late 1920's, when Wootten was about sixteen years old, Paramount Theaters, Inc. hired him to draw and paint "lobby posters."  Hand-painted lobby posters were "on-the-cutting-edge" advertising at this time and only found at the finer theaters.   Wootten painted for Paramount's three Chattanooga theaters:  the Tivoli, Rialto, and State, the Tivoli being the largest and finest.&#13;
&#13;
On their web page, the City of Chattanooga has photographs and a short history of the Tivoli Theater.  The following is taken from their web page.  "The Tivoli Theater opened on March 19, 1921 following two years of construction.  Construction cost was close to $1 million...a lavish sum for its day.  The Tivoli's interior reflects the Beaux Arts style popular for movie palaces of the 1920's.  &#13;
Its high-domed ceiling, grand lobby, crystal chandeliers and elegant foyer were designed to transport patrons to a world of richness and splendor.  Designed by the Chicago-based architectural firm of Rapp and Rapp, the Tivoli was built to accommodate both silent movies and live stage productions, making it state-of-the-art for its time.  More innovations followed.  In 1924 a $30,000 Wurlitzer organ was installed.  The Tivoli became one of the first public buildings in the country to be air conditioned.  In 1926, Paramount Studios bought the Tivoli, making it part of the Paramount-Publix Theater chain."&#13;
&#13;
Popular films of the period included: "The Jazz Singer" (1927), "Tarzan, the Ape Man" (1932, "Mutiny on the Bounty" (1935), "Snow White and the Seven Dwarfs" (1937), "Gone With the Wind" (1939), "Pinocchio" (1940), and "Fantasia" (1941).&#13;
&#13;
During World War II, (1942 - 1946), Wootten served in the U.S. Coast Guard, 7th Naval District, Miami, Fl.  His artistic and creative talents were used in Coast Guard publications, and in designing and building Coast Guard recruiting exhibits.  The January, 1944 and the February, 1945 issues of "U.S. Coast Guard Magazine" featured covers created by Wootten.&#13;
&#13;
After his tour of duty with the U.S. Coast Guard, Wootten came to Central Florida and returned to painting lobby posters for the "Beacham, Vogue, and Roxy" theaters in Orlando, and the "Baby Grand" and "Colony" theaters, in Winter Park.  In addition to his "theater art" he began expanding his work to include commercial sign painting and interior design work.&#13;
&#13;
In 1946 Wootten rented ($15.00 per month) the second floor of the building at Park and New England Avenues.  From this location he operated the Andy Wootten Studios, later purchasing property and relocating to Clay Street.  His clients included: R. C. Baker Men's Clothing, Kummer Lumber, Bumby Hardware, Winter Park Land Company, Barbizon Restaurant, Cottrell's 5 and 10 Cent Store, The Golden Cricket, Taylor's Drug Store, Baldwin Hardware, Greeneda Court, Imperial House, Baggett's, the Rune Stone and other Winter Park businesses.&#13;
&#13;
In the Orlando area his clients included: Crum's Fuel Oil, Heintzelman's Ford, L.A. Johnson Fuel Oil, Holloway Concrete, The Shoe Box, Tupperware, and several area banks.&#13;
&#13;
One of Wootten's fondest memories, and a tradition still enjoyed by Winter Parker's, was the creation of Christmas Card Lane.   Wootten remembers visiting Davis Island (Tampa area) where he saw a "Christmas Card lane".  He thought the concept would work in Winter Park and approached the Chamber of Commerce.   Paint and a few supplies were provided for the project.  A number of the local merchants became involved.  Wootten remembers cutting sheets of plywood into 4 X 4 foot squares, drawing Christmas scenes onto the plywood Christmas cards.  Volunteers would gather at a garage located behind the Barbizon Restaurant and paint the Christmas Cards.  The Christmas cards pictured reindeer, Santa Claus, Christmas bells, and other seasonal scenes.  Many Winter Park citizens assisted with the project but Edith Tadd Little, Newton Merrill, Jim Holloway, and Tom Ferris, particularly, gave a great deal of time and energy to the project. Brackets for the cards were designed and made by Gene Beeler.  City work crews hung the cards.&#13;
&#13;
Andy Wooten passed away July 29, 2012.</text>
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                  <text>The Andy Wootten Collection   Professional artist - his work in Winter Park was ubiquitous&#13;
&#13;
Andy Wootten was born on August 9, 1912, in Lafayette, Georgia.  His parents were Andrew J. and Lucy B. Wootten.  In 1920, the family moved to Chattanooga, Tennessee, where Andy attended public schools.&#13;
&#13;
In the late 1920's, when Wootten was about sixteen years old, Paramount Theaters, Inc. hired him to draw and paint "lobby posters."  Hand-painted lobby posters were "on-the-cutting-edge" advertising at this time and only found at the finer theaters.   Wootten painted for Paramount's three Chattanooga theaters:  the Tivoli, Rialto, and State, the Tivoli being the largest and finest.&#13;
&#13;
On their web page, the City of Chattanooga has photographs and a short history of the Tivoli Theater.  The following is taken from their web page.  "The Tivoli Theater opened on March 19, 1921 following two years of construction.  Construction cost was close to $1 million...a lavish sum for its day.  The Tivoli's interior reflects the Beaux Arts style popular for movie palaces of the 1920's.  &#13;
Its high-domed ceiling, grand lobby, crystal chandeliers and elegant foyer were designed to transport patrons to a world of richness and splendor.  Designed by the Chicago-based architectural firm of Rapp and Rapp, the Tivoli was built to accommodate both silent movies and live stage productions, making it state-of-the-art for its time.  More innovations followed.  In 1924 a $30,000 Wurlitzer organ was installed.  The Tivoli became one of the first public buildings in the country to be air conditioned.  In 1926, Paramount Studios bought the Tivoli, making it part of the Paramount-Publix Theater chain."&#13;
&#13;
Popular films of the period included: "The Jazz Singer" (1927), "Tarzan, the Ape Man" (1932, "Mutiny on the Bounty" (1935), "Snow White and the Seven Dwarfs" (1937), "Gone With the Wind" (1939), "Pinocchio" (1940), and "Fantasia" (1941).&#13;
&#13;
During World War II, (1942 - 1946), Wootten served in the U.S. Coast Guard, 7th Naval District, Miami, Fl.  His artistic and creative talents were used in Coast Guard publications, and in designing and building Coast Guard recruiting exhibits.  The January, 1944 and the February, 1945 issues of "U.S. Coast Guard Magazine" featured covers created by Wootten.&#13;
&#13;
After his tour of duty with the U.S. Coast Guard, Wootten came to Central Florida and returned to painting lobby posters for the "Beacham, Vogue, and Roxy" theaters in Orlando, and the "Baby Grand" and "Colony" theaters, in Winter Park.  In addition to his "theater art" he began expanding his work to include commercial sign painting and interior design work.&#13;
&#13;
In 1946 Wootten rented ($15.00 per month) the second floor of the building at Park and New England Avenues.  From this location he operated the Andy Wootten Studios, later purchasing property and relocating to Clay Street.  His clients included: R. C. Baker Men's Clothing, Kummer Lumber, Bumby Hardware, Winter Park Land Company, Barbizon Restaurant, Cottrell's 5 and 10 Cent Store, The Golden Cricket, Taylor's Drug Store, Baldwin Hardware, Greeneda Court, Imperial House, Baggett's, the Rune Stone and other Winter Park businesses.&#13;
&#13;
In the Orlando area his clients included: Crum's Fuel Oil, Heintzelman's Ford, L.A. Johnson Fuel Oil, Holloway Concrete, The Shoe Box, Tupperware, and several area banks.&#13;
&#13;
One of Wootten's fondest memories, and a tradition still enjoyed by Winter Parker's, was the creation of Christmas Card Lane.   Wootten remembers visiting Davis Island (Tampa area) where he saw a "Christmas Card lane".  He thought the concept would work in Winter Park and approached the Chamber of Commerce.   Paint and a few supplies were provided for the project.  A number of the local merchants became involved.  Wootten remembers cutting sheets of plywood into 4 X 4 foot squares, drawing Christmas scenes onto the plywood Christmas cards.  Volunteers would gather at a garage located behind the Barbizon Restaurant and paint the Christmas Cards.  The Christmas cards pictured reindeer, Santa Claus, Christmas bells, and other seasonal scenes.  Many Winter Park citizens assisted with the project but Edith Tadd Little, Newton Merrill, Jim Holloway, and Tom Ferris, particularly, gave a great deal of time and energy to the project. Brackets for the cards were designed and made by Gene Beeler.  City work crews hung the cards.&#13;
&#13;
Andy Wooten passed away July 29, 2012.</text>
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                  <text>The Andy Wootten Collection   Professional artist - his work in Winter Park was ubiquitous&#13;
&#13;
Andy Wootten was born on August 9, 1912, in Lafayette, Georgia.  His parents were Andrew J. and Lucy B. Wootten.  In 1920, the family moved to Chattanooga, Tennessee, where Andy attended public schools.&#13;
&#13;
In the late 1920's, when Wootten was about sixteen years old, Paramount Theaters, Inc. hired him to draw and paint "lobby posters."  Hand-painted lobby posters were "on-the-cutting-edge" advertising at this time and only found at the finer theaters.   Wootten painted for Paramount's three Chattanooga theaters:  the Tivoli, Rialto, and State, the Tivoli being the largest and finest.&#13;
&#13;
On their web page, the City of Chattanooga has photographs and a short history of the Tivoli Theater.  The following is taken from their web page.  "The Tivoli Theater opened on March 19, 1921 following two years of construction.  Construction cost was close to $1 million...a lavish sum for its day.  The Tivoli's interior reflects the Beaux Arts style popular for movie palaces of the 1920's.  &#13;
Its high-domed ceiling, grand lobby, crystal chandeliers and elegant foyer were designed to transport patrons to a world of richness and splendor.  Designed by the Chicago-based architectural firm of Rapp and Rapp, the Tivoli was built to accommodate both silent movies and live stage productions, making it state-of-the-art for its time.  More innovations followed.  In 1924 a $30,000 Wurlitzer organ was installed.  The Tivoli became one of the first public buildings in the country to be air conditioned.  In 1926, Paramount Studios bought the Tivoli, making it part of the Paramount-Publix Theater chain."&#13;
&#13;
Popular films of the period included: "The Jazz Singer" (1927), "Tarzan, the Ape Man" (1932, "Mutiny on the Bounty" (1935), "Snow White and the Seven Dwarfs" (1937), "Gone With the Wind" (1939), "Pinocchio" (1940), and "Fantasia" (1941).&#13;
&#13;
During World War II, (1942 - 1946), Wootten served in the U.S. Coast Guard, 7th Naval District, Miami, Fl.  His artistic and creative talents were used in Coast Guard publications, and in designing and building Coast Guard recruiting exhibits.  The January, 1944 and the February, 1945 issues of "U.S. Coast Guard Magazine" featured covers created by Wootten.&#13;
&#13;
After his tour of duty with the U.S. Coast Guard, Wootten came to Central Florida and returned to painting lobby posters for the "Beacham, Vogue, and Roxy" theaters in Orlando, and the "Baby Grand" and "Colony" theaters, in Winter Park.  In addition to his "theater art" he began expanding his work to include commercial sign painting and interior design work.&#13;
&#13;
In 1946 Wootten rented ($15.00 per month) the second floor of the building at Park and New England Avenues.  From this location he operated the Andy Wootten Studios, later purchasing property and relocating to Clay Street.  His clients included: R. C. Baker Men's Clothing, Kummer Lumber, Bumby Hardware, Winter Park Land Company, Barbizon Restaurant, Cottrell's 5 and 10 Cent Store, The Golden Cricket, Taylor's Drug Store, Baldwin Hardware, Greeneda Court, Imperial House, Baggett's, the Rune Stone and other Winter Park businesses.&#13;
&#13;
In the Orlando area his clients included: Crum's Fuel Oil, Heintzelman's Ford, L.A. Johnson Fuel Oil, Holloway Concrete, The Shoe Box, Tupperware, and several area banks.&#13;
&#13;
One of Wootten's fondest memories, and a tradition still enjoyed by Winter Parker's, was the creation of Christmas Card Lane.   Wootten remembers visiting Davis Island (Tampa area) where he saw a "Christmas Card lane".  He thought the concept would work in Winter Park and approached the Chamber of Commerce.   Paint and a few supplies were provided for the project.  A number of the local merchants became involved.  Wootten remembers cutting sheets of plywood into 4 X 4 foot squares, drawing Christmas scenes onto the plywood Christmas cards.  Volunteers would gather at a garage located behind the Barbizon Restaurant and paint the Christmas Cards.  The Christmas cards pictured reindeer, Santa Claus, Christmas bells, and other seasonal scenes.  Many Winter Park citizens assisted with the project but Edith Tadd Little, Newton Merrill, Jim Holloway, and Tom Ferris, particularly, gave a great deal of time and energy to the project. Brackets for the cards were designed and made by Gene Beeler.  City work crews hung the cards.&#13;
&#13;
Andy Wooten passed away July 29, 2012.</text>
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                  <text>The Andy Wootten Collection   Professional artist - his work in Winter Park was ubiquitous&#13;
&#13;
Andy Wootten was born on August 9, 1912, in Lafayette, Georgia.  His parents were Andrew J. and Lucy B. Wootten.  In 1920, the family moved to Chattanooga, Tennessee, where Andy attended public schools.&#13;
&#13;
In the late 1920's, when Wootten was about sixteen years old, Paramount Theaters, Inc. hired him to draw and paint "lobby posters."  Hand-painted lobby posters were "on-the-cutting-edge" advertising at this time and only found at the finer theaters.   Wootten painted for Paramount's three Chattanooga theaters:  the Tivoli, Rialto, and State, the Tivoli being the largest and finest.&#13;
&#13;
On their web page, the City of Chattanooga has photographs and a short history of the Tivoli Theater.  The following is taken from their web page.  "The Tivoli Theater opened on March 19, 1921 following two years of construction.  Construction cost was close to $1 million...a lavish sum for its day.  The Tivoli's interior reflects the Beaux Arts style popular for movie palaces of the 1920's.  &#13;
Its high-domed ceiling, grand lobby, crystal chandeliers and elegant foyer were designed to transport patrons to a world of richness and splendor.  Designed by the Chicago-based architectural firm of Rapp and Rapp, the Tivoli was built to accommodate both silent movies and live stage productions, making it state-of-the-art for its time.  More innovations followed.  In 1924 a $30,000 Wurlitzer organ was installed.  The Tivoli became one of the first public buildings in the country to be air conditioned.  In 1926, Paramount Studios bought the Tivoli, making it part of the Paramount-Publix Theater chain."&#13;
&#13;
Popular films of the period included: "The Jazz Singer" (1927), "Tarzan, the Ape Man" (1932, "Mutiny on the Bounty" (1935), "Snow White and the Seven Dwarfs" (1937), "Gone With the Wind" (1939), "Pinocchio" (1940), and "Fantasia" (1941).&#13;
&#13;
During World War II, (1942 - 1946), Wootten served in the U.S. Coast Guard, 7th Naval District, Miami, Fl.  His artistic and creative talents were used in Coast Guard publications, and in designing and building Coast Guard recruiting exhibits.  The January, 1944 and the February, 1945 issues of "U.S. Coast Guard Magazine" featured covers created by Wootten.&#13;
&#13;
After his tour of duty with the U.S. Coast Guard, Wootten came to Central Florida and returned to painting lobby posters for the "Beacham, Vogue, and Roxy" theaters in Orlando, and the "Baby Grand" and "Colony" theaters, in Winter Park.  In addition to his "theater art" he began expanding his work to include commercial sign painting and interior design work.&#13;
&#13;
In 1946 Wootten rented ($15.00 per month) the second floor of the building at Park and New England Avenues.  From this location he operated the Andy Wootten Studios, later purchasing property and relocating to Clay Street.  His clients included: R. C. Baker Men's Clothing, Kummer Lumber, Bumby Hardware, Winter Park Land Company, Barbizon Restaurant, Cottrell's 5 and 10 Cent Store, The Golden Cricket, Taylor's Drug Store, Baldwin Hardware, Greeneda Court, Imperial House, Baggett's, the Rune Stone and other Winter Park businesses.&#13;
&#13;
In the Orlando area his clients included: Crum's Fuel Oil, Heintzelman's Ford, L.A. Johnson Fuel Oil, Holloway Concrete, The Shoe Box, Tupperware, and several area banks.&#13;
&#13;
One of Wootten's fondest memories, and a tradition still enjoyed by Winter Parker's, was the creation of Christmas Card Lane.   Wootten remembers visiting Davis Island (Tampa area) where he saw a "Christmas Card lane".  He thought the concept would work in Winter Park and approached the Chamber of Commerce.   Paint and a few supplies were provided for the project.  A number of the local merchants became involved.  Wootten remembers cutting sheets of plywood into 4 X 4 foot squares, drawing Christmas scenes onto the plywood Christmas cards.  Volunteers would gather at a garage located behind the Barbizon Restaurant and paint the Christmas Cards.  The Christmas cards pictured reindeer, Santa Claus, Christmas bells, and other seasonal scenes.  Many Winter Park citizens assisted with the project but Edith Tadd Little, Newton Merrill, Jim Holloway, and Tom Ferris, particularly, gave a great deal of time and energy to the project. Brackets for the cards were designed and made by Gene Beeler.  City work crews hung the cards.&#13;
&#13;
Andy Wooten passed away July 29, 2012.</text>
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&#13;
In an excerpt from The Seminole Winter Park Florida, which is part of this collection, is a description of the view from the top of the hotel:&#13;
&#13;
"THE VIEW FROM THE TOP OF SEMINOLE&#13;
&#13;
is one of the most beautiful to be found on the American Continent, and no visitor of Winter Park should fail to see it.&#13;
&#13;
Taking the elevator we are soon seated upon the extended promenade on the very top of the house, above the stately pines that grow on every hand.  The scene that greets the eye is one of surpassing loveliness.&#13;
&#13;
Looking southward we see the house-tops of Orlando, 4 miles distant; nearer, the beautiful lakes Rowena, Sue, Beauty, Berry and Virginia, and Rollins College.&#13;
&#13;
Turning to the east we see Lakes Mizell and Sylvan ; on the north are Maitland and Knowles, and on the west beautiful Lake Killarney.  On every hand are the magnificent groves of pines, growing often to the water's edge, making a fringe of green around the lakes, sparkling in the sunlight.&#13;
&#13;
Thousands of orange-trees are seen, with their rich green foliage, and their luscious fruit glistening in the sun like balls of gold.&#13;
&#13;
Lovely cottages nestling among these groves of pine and orange, the spires of the two fine churches, the long train of cars at the depot unloading guests for the Seminole, and the stylish street-car which is to bring them here - all seen through the pines - add to our picture.  Beautiful, indeed, is the "view," and one not soon to be forgotten."  </text>
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                <text>NO COPYRIGHT - UNITED STATES&lt;br /&gt;The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.&lt;br /&gt;&lt;br /&gt;NOTICES&lt;br /&gt;Unless expressly stated otherwise, the organization that has made this Item available makes no warranties about the Item and cannot guarantee the accuracy of this Rights Statement. You are responsible for your own use.&lt;br /&gt;You may find additional information about the copyright status of the Item on the website of the organization that has made the Item available.&lt;br /&gt;You may need to obtain other permissions for your intended use. For example, other rights such as publicity, privacy or moral rights may limit how you may use the material.&lt;br /&gt;DISCLAIMER The purpose of this statement is to help the public understand how this Item may be used. When there is a (non-standard) License or contract that governs re-use of the associated Item, this statement only summarizes the effects of some of its terms. It is not a License, and should not be used to license your Work. To license your own Work, use a License offered at https://creativecommons.org/</text>
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                <text>WPD Batchelor 1</text>
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                <text>The Batchelor House as seen from the front yard of the Seminole Hotel</text>
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                <text>It wasn't known how close the old Seminole Hotel and the Batchelor House were to one another until this photograph was loaned to the Winter Park History Collection.</text>
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            <name>Contributor</name>
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                <text>Dr. De Haven Batchelor</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>NO COPYRIGHT - UNITED STATES&#13;
The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.&#13;
&#13;
NOTICES&#13;
Unless expressly stated otherwise, the organization that has made this Item available makes no warranties about the Item and cannot guarantee the accuracy of this Rights Statement. You are responsible for your own use.&#13;
You may find additional information about the copyright status of the Item on the website of the organization that has made the Item available.&#13;
You may need to obtain other permissions for your intended use. For example, other rights such as publicity, privacy or moral rights may limit how you may use the material.&#13;
DISCLAIMER The purpose of this statement is to help the public understand how this Item may be used. When there is a (non-standard) License or contract that governs re-use of the associated Item, this statement only summarizes the effects of some of its terms. It is not a License, and should not be used to license your Work. To license your own Work, use a License offered at https://creativecommons.org/</text>
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                <text>WPD Batchelor 2</text>
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                <text>De Haven with a Bicycle </text>
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                <text>From the Chase Scrap Book, May 11, 1892: "De Batchelor breaks the world record in bicycling.  &#13;
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                <text>Dr. De Haven Batchelor </text>
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                <text>NO COPYRIGHT - UNITED STATES&#13;
The organization that has made the Item available believes that the Item is in the Public Domain under the laws of the United States, but a determination was not made as to its copyright status under the copyright laws of other countries. The Item may not be in the Public Domain under the laws of other countries. Please refer to the organization that has made the Item available for more information.&#13;
&#13;
NOTICES&#13;
Unless expressly stated otherwise, the organization that has made this Item available makes no warranties about the Item and cannot guarantee the accuracy of this Rights Statement. You are responsible for your own use.&#13;
You may find additional information about the copyright status of the Item on the website of the organization that has made the Item available.&#13;
You may need to obtain other permissions for your intended use. For example, other rights such as publicity, privacy or moral rights may limit how you may use the material.&#13;
DISCLAIMER The purpose of this statement is to help the public understand how this Item may be used. When there is a (non-standard) License or contract that governs re-use of the associated Item, this statement only summarizes the effects of some of its terms. It is not a License, and should not be used to license your Work. To license your own Work, use a License offered at https://creativecommons.org/</text>
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            <name>Identifier</name>
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                <text>WPD Batchelor 3</text>
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